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Joshua Tree Icon Art Kunkin Dead at 91

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 Joshua Tree – [Art Kunkin] died Tuesday at his home at the Institute of Mentalphysics in Joshua Tree. Thai Buddhist Forest Monk Priest Pra Don counseled him during hospice care. The Sun.

Art Kunkin was an American journalist, political organizer, machinist and New Age esotericist best known as the founding publisher and editor of the Los Angeles Free Press. Wikipedia. Born in New York, NY. 

Art lived at the Joshua Tree Retreat during his last years. He held classes on meditation and writing at the Retreat. On occasion Art would dine at the Yucca Valley Senior Center and sit with senior friends. He was respected, loved and befriended by many here in the Morongo Basin. Art was a Renaissance Man, and his love of alchemy research was widely known.  RIP Art Kunkin.  The Desert Sun has an outstanding story  on Art Kunkin.  (Branson Hunter)


Los Angeles Times
“The Free Press turned Kunkin into a high priest of resistance in L.A.. He swapped story ideas with Yippies founder and satirist Paul Krassner, discussed music with Frank Zappa and hung out with Timothy Leary. In 1973, with his legal bills due, Kunkin closed the Free Press. It was revived briefly after it was purchased by Hustler publisher Larry Flynt and then shut for good when Flynt was shot in 1978.”

Art Kunkin, Free Press publisher who was the pied piper of counterculture in L.A., dies at 91

Los Angeles Times

By STEVE MARBLE
MAY 09, 2019 | 10:25 AM

Art Kunkin, the rumpled, curly haired publisher who arose as the pied piper of L.A.’s counterculture movement in the 1960s with the irreverent but vital Los Angeles Free Press, has died in hospice care in Joshua Tree.

Kunkin, who offered readers a brew of politics, drug talk and rock ’n’ roll, died April 30 at the Institute of Mentalphysics, where he’d lived for years studying philosophy, alchemy and meditation. He was 91. No cause of death was given.

The Free Press — known as the Freep to those who loved or loathed it — rolled onto the streets as L.A. was barreling toward the Watts riots, a tabloid that covered the antiwar movement, the emerging hippy scene and the free speech rallies at UCLA and Berkeley. It was derisive, profane yet sweetly life-affirming.

Inspired by the Village Voice in Greenwich Village and the listener-sponsored radio station KPFK-FM in Hollywood, the Free Press was all things the Los Angeles Times was not.

Kunkin said the mainstream media tended to cover all the events plaguing L.A. as isolated, unconnected events. The Free Press viewed the growing unease in the city as something larger and far more sinister.

“The sense of the 1960s alternative press was that these issues were all connected, that indicated a certain sickness in society,” Kunkin told The Times in 1996.

Launched in 1965, the Free Press was run out the Fifth Estate coffeehouse on Sunset Boulevard. The working environment was familial — reporters, aging beatniks, children, street musicians and the lost and confused milled about in what passed for a newsroom.

The late author Harlan Ellison, then a reporter for the Free Press, said in a 1996 interview that the tabloid seemed to function like “a rambunctious baby with a shotgun in its mouth; it didn’t know when to shoot.”

And that, perhaps, is what upended the paper’s run as the city’s edgy counterweight to the button-down stiffness of L.A.’s traditional media.

For reasons that were never abundantly clear, in the summer of 1969 — as Charles Manson’sfollowers were terrorizing the city and Neil Armstrong was stepping onto the moon — Kunkin elected to publish the names, phone numbers and addresses of 80 narcotics officers in California. “There Should Be No Secret Police,” the headline blared.

The reaction was explosive.

Kunkin was sued by the state and Los Angeles and after two years of legal skirmishes, he was ordered to pay $53,000 in damages, enough to bankrupt the paper. The Free Press limped along for several more years before shutting its doors in the late ’70s.

Born in the Bronx in 1928, Kunkin became a tool and die maker. Politically active, he became an organizer for the Socialist Workers Party and later worked for the party’s paper, the Militant. He came west in the 1950s, continuing to work on an assembly line.

In 1964, he was asked to publish an eight-page newsletter for the Renaissance Pleasure Faire in L.A.. Kunkin filled it with strange and fantastical stories — Joan Baez’s supposed tax strike, an obscenity bust during a showing of the film “Scorpio Rising.”

The first issue of the Los Angeles Free Press was printed in July 1964. Along with his wife, Abby Rubinstein, the two put up $200 to bankroll the paper, money spent mostly on postage to solicit advertisers. They edited the paper at their dining room table, writing headlines, cropping photos, keeping their fingers crossed it would all somehow work.

The paper sold for a quarter, nearly double what The Times cost at a newsstand. The lifeblood of the Free Press were sex ads, which were unwelcome in traditional family newspapers. By 1969, circulation had swelled to 100,000 and the paper had growing political clout.

Continue reading, LATimes

Feature photo courtesy LATimes

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